The Serious Guide to Joke Writing How to Say Something Funny About Anything Books
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A criticism of the book I have heard before is that the process presented can be quite sterile, producing solid comedy writing, certainly, but not having anything of the person in it. The book is intended mostly from the position of those writing to order for papers, TV, radio, etc, and in that end it is very good. Wannabe stand-ups shouldn't ever think the writing exercises presented here are the beginning and end of the process, otherwise they will just churn out soulless observations repeated a hundred times over by other comics. If however you see this as a supplement to your existing writing methods, you could be on to a winner.
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Holloway presents a series of practical methods and exercises that may assist you in the writing process. Starting with Puns a
I'm not sure anyone serious about entering the world of stand-up (or other comedy writing) would necessarily be reading this book. But then that isn't the only audience that may find it interesting. Even as an 'fascinated audience member' it can be fun to think a bit further about what kind of processes a comic *may* have used to get to the joke you've just seen on stage.Holloway presents a series of practical methods and exercises that may assist you in the writing process. Starting with Puns and wordplay (including exercises going through newspaper stories selecting interesting words and working with them) through allowing your brain some time-off for 'background processing' and then creating 'joke webs' (mind maps and word association based on a topic). The 'colliding' of these webs is probably the final practical exercise that doesn't necessarily rely on a particular 'talent' - whereby the creator of joke maps attempts to join two ostensibly unrelated maps to find common ground to riff on.
It is after these chapters that it really becomes clear that even with a series of step by step actions to take there still needs to be an element of experience, talent, magic (whatever you'd like to call it) in the mix. Surrealist inquisition (looking at the problem from a diverse variety of positions) and 'Honing' (to a much stronger extent) rely upon the joke author creating a rhythm, timing, framing and elaboration/extension of the joke to make it something that would stand up for use with a general audience.
Of course the performer would also require a charm and stage presence. Tim Vine, for example, relies heavily on puns.. but the reason they work is his delivery and mixing them up with surrealist songs and skits not what could be described as rather basic puns.
Holloway ends with a case study of her own whereby she, in diary style, describes her involvement in writing a routine for a corporate gig.
Interesting and worth a read perhaps more so as a means of directing creativity in any form not just joke writing. Will you be the next Jimmy Carr or Sarah Millican? probably not but you'll be armed with a few techniques to get you on your way.
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The thing about writing jokes is that you can't just sit around waiting for a great joke to jump into your mind. Writers who depend on comedy in their writing need to have a set of tools by which we can produce jokes "to order" about any topic.
This book is structured around a workshop which Sally Holloway gives to stand up comics to hone their joke writing skills.
It provides a great, usable toolkit for joke production.
The only warning
I come back to the techniques in this book again and again.The thing about writing jokes is that you can't just sit around waiting for a great joke to jump into your mind. Writers who depend on comedy in their writing need to have a set of tools by which we can produce jokes "to order" about any topic.
This book is structured around a workshop which Sally Holloway gives to stand up comics to hone their joke writing skills.
It provides a great, usable toolkit for joke production.
The only warning I have about this book is that after reading it, I became obsessive about finding jokes in everything! This went on for several months, until my girlfriend told me to cut it out. Every newspaper article, radio bulletin or random comment by a friend became a potential mine of joke possibilities.
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Some of the joke examples are obviously based on cultural references from when it was written back in 2010, and it's very UK centric. Some jokes might not make sense if you don't know UK culture.
But, the explanations of the difference exercises and approaches a
An easy to read and follow guide on how to start or get better at including humour in your writing. Written in an informal chatty style, it never gets too serious (despite the title). There's plenty of examples and exercises you can use.Some of the joke examples are obviously based on cultural references from when it was written back in 2010, and it's very UK centric. Some jokes might not make sense if you don't know UK culture.
But, the explanations of the difference exercises and approaches are clearly written, the tools she suggests are genuinely helpful. It's a good read to find out more about joke writing if you're interested in this topic. There's a lot of enjoyment you can get out of clever word play and colliding ideas together to make them funny.
I liked that she also stressed that it's a skill you have to work at to get better at, and there was a good range of examples, not all of which made me laugh, but enough of them did to make it a fun read.
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Aunque no lo recomendaría, tampoco lo descarto del todo, pues su escueta sección dedi
No dudo que este libro haya sido útil en su momento, pero ya ha sido superado por el tiempo. Esta obra centra la mayoría de su atención en los juegos de palabras y la resignificación de éstas, dándose de frente con la tendencia actual que rechaza este tipo de chistes (¿o sería mejor llamarlos dad jokes?) en favor de una escritura más personal que basa su gracia en la identificación con el comediante y su sentir.Aunque no lo recomendaría, tampoco lo descarto del todo, pues su escueta sección dedicada al humor surreal es útil sin duda alguna y un añadido del que carecen otros tratados de escritura de comedia.
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No, but honestly, I'll definitely be returning to this book whenever I feel stuck.
As a comedian, I read a lot of books on writing comedy. This is by far the best one. So many different strategies for how to write and exercises. The fact that Sally Holloway writes it through a course she taught is striking at first, but works tremendously. Makes it feel like you're really there! I'm Serious. (pause for laughs.)No, but honestly, I'll definitely be returning to this book whenever I feel stuck.
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Enjoyable, humour and liked that it's broken down into sections with clear examples. Easy to refer back to. Helps you to believe that if you put the work in you will see the results!
This book really should be the foundational text for any joke writing class. As a matter of fact, it works for all writing!!
I'm just a fiction writer but I was curious about this title and found the techniques within very interesting. As i read through, i filled up several pages of my notebook with ideas, and i can't wait to coax more ideas out using these methods.
Very usefulI'm just a fiction writer but I was curious about this title and found the techniques within very interesting. As i read through, i filled up several pages of my notebook with ideas, and i can't wait to coax more ideas out using these methods.
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I highly r
I've always had a hard time seeing myself as funny rather than amusing. A TV writing and improve class later, I'm angry for short-changing myself. I'm absolutely novice at joke writing, though, so I bought this book to sort of figure it out. The advice and exercises she offers here are quite excellent. The examples are also extremely helpful if you don't fully understand. Some of the references she makes may not translate because they pertain to Britain, but Google will help with that.I highly recommend this book to anyone looking to get started in joke writing.
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